in just three years, berlin based artist dehnert has gone from unknown talent to underground hero with his very own >raw techno< sound making waves on labels like his own imprint fachwerk and now delsin, where he finds himself at home amongst the future music of talented cohorts redshape, a made up sound, delta funktionen and more. this ep is an introduction to his upcoming album framework - an uncompromising album made up of pure techno tracks of the sort youd expect to hear on the dancefloors of places like berghain or tresor. they go from pulsing and classic sounding to skipping and glitchy, through greyed-out and sandy via swinging and syncopated but always with a sense of restraint and control whether they are abstract, apocalyptic, atmospheric or whatever else. although his tracks are undeniably functional, at the same time, they are neither nondescript nor forgettable: somehow, through masterful sound designs and an accomplished knack for blending real tension and atmosphere with his obvious basic channel and berghain influences, mike dehnert manages to lock you into whatever mood takes his fancy with apparent ease.

techhead toolbox is a vinyl series concept brought to you by techhead recordings based on the idea that the most basic tools are simple machines. the audible result aims in crossing the line between techno as we know it and techno as we dont. each record is inspired by the usage of different tools and each tool plays a significant role in each record.the fourth release orrible saw by type 1 and tom laws is another killer, feat. two remixes by space djz and semtex! get into the concept!

warehoiuse find...limited edition of 250 copies pressed … hand stamped, colour changes per release. artist & track etched into run out groove.

hot off the heals of the core series reissue of >i feel the rhythm<, slow to speak offers its latest edition of prescription family represses: glenn undergrounds >mighty real groove<. released under his early moniker, c.v.o, >mighty real groove< beats into even the most stubborn ears the truth of trent & co.s collective of hand-picked mid-west talent. the 1995 masterpiece is a devastating, pulverizing party-rocker that utilizes the used and abused sylvester sample so typical of the disco era and re-cultivates its simple universality in a way that avoids the cliches of discos expired optimism. add the smart chord progression and one of the most un-subtle, chest-reverberating, entrails-twisting, thor-hammering bass lines ever to grace a deep house record and you have >mighty real groove<: a party jam that still wields the musical elegance and warmth of the prescription catalog. hammered to death by theo parrish & so many more, this time-tested c.v.o classic has signed up for a second tour of duty, spreading the true underground gospel to those unbelievers who still dwell in the mansion of shadow and despair

>world music< is the second 12 inch from washington, dc based protect-u. as the title suggests, protect-u grooves to global soundz, but this newest release–once again brought to you by future times–is total mutant house/techno. on the a-side, synth lines bubble like 80s-style francis bebey, then burn up into a space-pulse overdrive. the flip, >u-uno<, is an underwater electro-sitar dream straight outta 24th century india, followed by a slo-mo dub of >world music< that slips back and forth between digital jamaica and european nu-romance.

supported by: radio slave, robert dietz, lauhaus, alex celler, matt tolfrey, slam, anthea, konrad black, anthony collins,.. air london presents the debut solo release from adam shelton. already releasing music with subb-an (either as subb-an & shelton or under their sas guise), air trax marks the first full release for adam in his own right, and its one hell of an introduction. both tracks here have been made for the late night hours as adam shelton really gets into his gritty groove with this speaker-busting double hitter. >crazy talk< starts off with a hypnotic rolling drumbeat and a fixating, echoing vocal that builds until the driving bassline kicks in and leaves you hooked. on the flip >do not attempt< is another killer cut with clipped broken beats and crisp hi-hats. a shady vocal, uttered throughout, is swathed in siren cries and more brooding bassline

following the solid gold pop smash that was their debut 7 inch >circles<, south coast soul boys :kinema: return with their biggest and best song to date, >my beautiful machines<, a joyously upbeat love song to their synthesizers.
if the original of :kinema:s >my beautiful machines< is straight up classic pop then the remixes courtesy of swedens drop out orchestra, take the track off into disco heaven.

limited to 400 copies!! second release on the hot new rebellion label. after siss monstrous >gallian< release solomun delivers another knock out blow in the sonics with a heavy weight slab of electric moon groove. pan-rattling percussion and a bass funkier than a trunk of funk underpins the stupendously catchy and incessant vocal licks, and then theres the guitar.. oh my god, does it get any better than this? on the flip parisian funkateer d julz hikes the tempo and kicks the groove headway into the bass bins as its heads down for some serious dancefloor action. a great second package on this rebellious new label! please note this is a limited release, so get these hot puppies whilst you can, because when they are gone, they are gone

continuing into 2011 the way they left off 2010, mainframe have yet another huge drum & bass rollercoaster of a release to unleash in the form of the >outcast< ep. four heavy-hitting tracks from some of the scenes finest producers are what await eager listeners on this one. this is yet another unmissable release from mainframe, a label set to achieve even more this year than they did in 2010.

echocord is proud to release a new killer ep by mikkel metal. all 3 tracks is this time made for the dancefloor, stripped down dubby techno tracks. again mikkel moves into another direction, more dirty, raw and minimal, but at the same time you can immediately hear that its a mikkel metal release. fans of omar s and kassem mosse should watch out for this one!

for the second and far overdue release on his little leaf imprint matt moroder delivers a superlative psychedelic reimagination of shuggie otis which sits far beyond the realm of your blog standard ableton edit. matt scliced the original into little pieces put it new together and added some drums and percussion with the respect this soul classic deserves. this rework is hypnotizing makes you wish to never end. on the flip hamburgs hardest working entertainer erobique used the same kind of gentleness to rework some cello and voice by one of the greates disco visionaries and songwriters that left us much to early. by creating a dirty mpc beat and blend it with vocals and cello erobique creates his own vision of the late arthur russell far from the average four too the floor mediocrity. this vinyl only release is strictly limited to 300 copies and shines even more with a splendid artwork that shows love and care

support by kink, dave clark, deetron, dirt crew, joris voorn, and.id, alex celler, martin eyerer, nic fanciulli, roberto rodriguez, oscar, gunnar stiller and more.
this killer release by echonomist proves to be one of his most diverse and promising attempts as he switches in between dance styles like houdini. the collaboration with dans mon salon in isolation is a wondering imaginative road trip into the avenues of detroit, driving in a black car as the boomy rhythmic sequence meets with high end pad strings, a haunting stuck acid bass-line and the vocals of a tortured soul seeking salvation. techno structure with modern tools.

precise, organic, lush, zooming and funky beyond reason, its the fireside burner that will take you into spring. harvey is back with the third and final installment of his locussolus adventure before his album release in spring 2011.

terror danjah is back on planet mu after last years >gremlinz< compilation reintroduced him to the world at large. since then, as well as planet mu, he has released a single on hyperdub, one on butterz with more to come.
well the gremlinz are back again on planet mu with this punchy 8 track double e.p. of experimental grime that showcases a breadth of new music, that swallows rnb and dubstep into terrors self made matrix.

london grime producer swindle follows up his incredible planet mu ep with another slab of funked-up grime, this time for a rapidly expanding rwina records. swindles return marks a slightly stripped-down sound: the funk is meaner, heavier, and nastier. >playground< grooves on rainbow synths and leisurely, drawn-out melodies, as a boogie bassline carves memorable phrases in the ground below. all of this is shoved in an approachable halfstep template that means the track could just as easily slot into any dubstep set as the grime scene in which swindle dominates. did we mention theres a killer freestyling organ solo in the breakdown?

nice price deal !!! morgan zarate is best known for pushing r&b and hip hop into new spaces, taking influences from the us and uk and creating raw, emotional and psychedelic beats. on this first ep for hyperdub, his production steps up in tempo, and the influence on his music of grime and dubstep shines through.

2010 has been a massive year for jozif, emerging as one of the most talked about artists in house music. the follow-on from the first sell-out edition, “beats in space”, “brick jane” goes further to cement his place as one of the vanguard of the london music scene, and propel fist or finger to the status of a buy-on-sight label. jozif’s title track – the dancefloor focused ‘fist’ of the package – goes in deep, the momentum continuously building as the track twists and turns through a landscape of deep slabs of bass assured deployment of subtle guitar plucks and piano chords, and dreamy xylophones. finally releasing into an epic crescendo, jozif only allows the moment to last just long enough, before all the elements are stripped right back as the journey starts all over again. brick jane draws out a journey, continuing to morph and subtly affix new elements throughout its 7 minutes. the arrangement is simple yet the progression is deft, subtle and effective, creating a vibe that can be employed at any given time of the night, offering a truly different context. craig’s ‘finger’ re-interpretation picks up the thread where his “beats in space” remix left off. crackling static laced with woozy atmospheres and paranoid utterings flip the vibe of the original completely on its head. richards displays a completely unique ability to stretch the original track far beyond its character into a completely different dimension, building a warped soundscape that feels as though it was recorded in a chasm deep deep underground. a mind-bending journey from a truly multi talented artist, in the truest sense of the word

pale sketcher (aka justin broadrick of jesu/godflesh fame) follows up his ghostly debut >jesu: pale sketches demixed< release with the ep, >seventh heaven<. broadrick covers a large palette of styles, discovering moods and rhythms that further expand the pale sketcher sound. it further solidifies his taste for electronic material that bled into his jesu project and solidifying pale sketcher as yet another legitimate project for this prolific artist. >seventh heaven< includes 4 brand new tracks that highlights a variety of influences from drum n bass and shoegaze to trip hop and dub. the lone remix is a dub meets trip hop sound reminiscent of trickys >maxinquaye< period from the legendary king midas sound. pale sketcher is clearly figuring out his next big step with the >seventh heaven< ep.
limited to 250 copies on swirl vinyl in a clear sleeve.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

after the big succes of hi tech booty, we searched for some really special guys out there to put hand on ahmets bomb. well here it is. a1 comes from maetrik which was a strong desire of ahmet and for sure an excellent choice. he totally brings in his own style while getting a little bit closer to the darkside of the track. a2 is a special collab between rainer, which we know from the last regular stock5 record together with cesare vs disorder and viudez, a mexican guy that seems to have a very nice influence to the production style. the vocal is very present but placed, arranged and transformed geniously. for sure a weapon! b1 is written by our special friend chris sylvester aka inxec. starting with a very housy groove, it falls quickly into a hypnotic mood that is unique in inxec productions. he really knows what the dancefloor requires and for this we are very happy to have him again in our release roster. b2 presents a very new and fresh artist called rico casazza. he interprets the track in a very detroit way, works verz little with the vocal but hits it very perfectly for the sense of the track. after this debut on our imprint you can be sure to hear more of this young guy in the next time!!!

for more than 5 years cargo edition has been standing for the deeper house productions of moon harbour/cargo edition’s roster of artists. so far acts like ekkohaus, michael melchner and markus schatz have been setting the tone. now this platform is offered to artists who haven’t yet appeared on the label. the warehouse release is the first of a series of various artists eps. we invited artists like steven cock from dresden, ralph sliwinski as well as the italian acts mass prod & marco daquino and minimono to contribute tracks to warehouse vol.1. the sound of the first ep is all about consistent house music that does not need any cheap rave tricks. old school house music is quoted with skills and style and translated to the modern dance floor. warehouse vol.1 is the perfect start into the fifth year of cargo edition. luciano (cadenza): cargo edition is a great label, probably one of the most quality dance music.. full support!

a1 fur elodie is a cheapy guitar tune combined with the piano to form acoustic sound. other elements are also quite cheapy but sounds very good altogether as a confortable track. a very atmospheric tune to hypnotize people into fumiyas deeper side. the original version is on his album unknown 3 released in 2008. b1 ring bell is a track combined an acoustic loopy drum with a modular bass sound to form a kind of rare groove. a kind of chant starts coming in out at certain points to take you somewhere you have never been before. b2 dealer trick (short version) has got a kind of old school flavour and sounds quite like 90s house with fumiyas dirty, cheeky, and loopy groove. a trick for jack in the box

early support from locodice, matthias tanzmann, gregor tresher, dubfire, nic fanciulli! new japanese dance music label, arpa records is launching as its first release very own label boss dj sodeyamas techno track >miles<. previously having released on respected labels zenit, ante zenit and more recently on labels archipel, kumo, we are, dj sodeyamas tracks feature a wide range of musical dimensions and have gained much credibility and interest from djs worldwide. the original mix features ontop of some heavy minimal beats and an expanding rhythm, a poetry reading by richard spitzer and a deep but solid synth groove. 8bit and cecille label boss nick curly takes the other side into a trade mark remix featuring some long breaks but kept together by some solid groovy rhythms throughout.

danish producer martinez rarely fails to surprise club music lovers with his versatile views on techno and house. his very special enthusiasm enables him to seize new musical territory with every release. with his debut record on cadenza, his house sound develops another depth, a more general view of the ever evolving tension between life and music. the mzuzu ep is all about bass. the bass is all around, the bass gushes into every corner of the club, it pervades concrete and iron. while the low frequencies deal ruthlessly with architecture, they are kind to us humans. the basslines put the dancers in a conforting state of hypnosis which might be an unconscious reminder of the long gone time when one still rested in ones mothers womb. it arouses the memory of a state when one is completely merged with the surroundings. martinez reorganises the structure of house music: the lashing grooves cease to be the center of the tracks. martinez moves the heartbeat of the music from the beats to the bass. its firmness releases the other elements of the tracks, creating a free-spirited feeling. freed from their regular task the grooves are enabled to be rough and open. instead of trying to control the crowd, they ravish us with their liberating energy. the tracks rarely need anything else. the icing on the cake consists in tiny vocal samples. creating an irritating athmosphere, they put us in a state of constant curiosity. disolving completely into the flow of the tracks, the human voices become pure sound. >mzuzu chant< & >adagio< are for the beautiful moments when the dancing crowd detaches itself from time and space

specialist interest is back!! with a huge release from mr. pete herbert, a tremendous release to inject a new lease of life into the label. a1: well heeled - melodic bass line with snyth stabs and arpeggio, a very big room sound. the track builds with a great groove and very spacey sounds. killer track!! a2: earthy powers - popping synth line really makes this track! gentle bass adds to the groove and widens the sound with a funky guitar riff adding an organic feel. vocal is a brilliant addition.

this is the third single taken from boohgaloo zoos devastatingly good self-titled debut album. >i got< is a relentless disco groover while >come to this< is a slow-mo exotica house bomb (whatever that may mean) with some hints of exotica. two fat and funky joints. this time, the remixes are courtesy of mugwump and aardvark. mugwump takes the original and turns it into an electrifying discoid tour de force. aardvark does his thing, which lately means taking a song, and giving it an electronic shock treatment. those who like forward thinking electronic music will go bananas for this one. post >nameyourfavourite<?

fer br is one the most prolific artists on the special series imprint with now finally his debut album ready to launch early 2011! fer br has stirred the techno scene with his incredible fresh and funky techno sound. very well produced and very very party friendly! the girls just love his sound. so if you are into the dj-ing for getting the girls, you must play fers productions! with not only great tracks and remixes for labels like gtmuzike, basics, subcult, code, cobra, patterns and many more he also set up his own imprint which is called funkme. thats just fer br. it cant get any funkier! this is funk. fer br presents: this is me!

a1: your last chance - very housey vibe on this one, with a heavy kick drum/snare combo. expanding synth line and very subtle percussive elements help the track build. it really kicks in when the vocals hit along with a funky ass bass groove. beautiful! a2: sailin 79 - slow paced track, centred on the vocal. great backing with bass, rising & shooting synth sounds. not so much for the dance floor, a great track for bar surroundings or a low key dj set! b1: youre welcome - smooth groove on this one, vocals are really well executed and give the track a great edge. killer track! b2: love is gone - super chilled track with a cosmic disco feel. waving synths, and echoed vocals create a very big sound. this track is encapsulating, pulling you into the groove for the entirety and sticking in your mind once its ended! brilliant stuff!

composite family welcomes feygin, a guy influenced by prince, the beatles. louie vega, jimpster, herbie hancock, jazztronik, dop, will smith, billy joel and woddy allen. he loves anything that flows smoothly, whether its into his ear or into his belly. feygin comes from a family where everyone played some sort of instruments. yet, he never learned to play anything himself. about 2 years ago he decided he will make dance music, or his own interpretation of it. so far he is doing well. you can call his style an eclectic mix of dance music and its various sub genres. as long as it grooves, feygin is on it. at some point in his life, he d like to be able to collaborate with real live musicians, and really push dance music to its boundaries

twisted tongue follow up their acclaimed debut album with the first single from their follow-up lp, >a return to space<. eschewing the p-funk stylings of their self-titled debut, twisted tongue (dave jay & mark dalton) provide an essential revival of the mid-tempo soul stepper, featuring guest vocalist johanna lee sweetly leading a tough, incessant groove that recalls the classic likes of nick martinelli and the mizell brothers. twisting the track even further are the remixes provided by dj ray mang (dfa, mangled), one of the founders of londons nu-disco scene, who has long taken inspiration from new yorks golden era of the loft and paradise garage. twisted tongue writer/producer dave jay joined forces with ray for his >mang vs. mondo< ep on mangled earlier this year, and here mang returns the favour by dubbing out and extending >a return to space< to mind-bending effect. on the flipside is the cinematic, downtempo remix by blue states, which subtly subverts the original, transforming the track into a late night indie excursion. andy dragazis (blue states) has now been delivering his unique brand of melancholy, guitar-led head music for over decade, via labels such as xl recordings, and this mix of >a return to space< ranks up there with his most memorable work

to kick-start the fina campaign we literally hunted high and low to find an artist and sound that we felt would represent us and give a statement of intent. what we didnt expect was for this search to take us south of the equator and into to the deep southern hemisphere. this is not the first place that you would expect to hear warm, deep underground house but this is exactly what you get with the melbourne based mic newman. and thinking about it, it doesnt get warmer or deeper than melbourne does it? mic is a young producer who we believe is destined for greatness. at the age of 29, hes already had a string of underground smashes on labels such as murmur, tsuba, dirt crew, freerange, and now for fina records. the intriguingly named live east, die young ep (mic riffing on his time spent living in london) sees what mic doing what he does best and demonstrates why his future is so bright. on die young, the tougher a-side, mic keeps the beats solid, and the groove tight and hypnotic, while the smooth chord stabs get right under your skin. prolonged foot tapping ensues. on the flip side, live east, mic takes it a little deeper with ever so subtle disco touches. the vocal sample asks what your name is and to take off your jacket as if to welcome you to a very messy after hours on this mcde-esque low-slung house groove. on remix duty, the on-form jacques renault and marcos cabral aka runaway, lift the track out of the south hemisphere and take it in a north easterly direction all the way to the caribbean – adding plenty of steel drums and pads on their interpretation of live east

limited warehouse found !! ultraphat selected tracks by mr crosstown rebels damian lazarus , incl track s & rmxs by thomas dolby, ricardo villalobos, m83, superpitcher, audioperu, the stranglers. if you are interested in the shirt take a look in our clubwear section ...

don your deck shoes, carelessly knot your cashmere knit and slip into some chinos, chromeos electro-boogie duet hot mess ft. la roux is ready for action. comes with a remix from armand van helden as duck sauce

desolat is happy to announce a new 12inch by giuseppe cennamo. born in naples, italy in 1980, giuseppe took to the turntables at age 13. following the legacy of fellow napolitanos like marco carola, danilo vigorito and davide squillace, he took the inspiration of classic house and melodic synths to build his own brand of tech. his tracks on several labels got a lot of peak time play and caught the ears of loco dice. fortuitously, after a break to clear his head, mr cennamo decided to take the inspiration of a loco dice dj set to create something specifically tailored for desolat, which resulted in this release.this particular slice of vinyl is aimed squarely at the djs - with the title track amanecer digging deep into the pads, a cantering kick and gentle swing that hints at detroit forefathers. cuando tu quieres stomps its heels and morphs into a very whimsical bouncing house burner: plenty of fun to be had with this one. dejame asi feels like a spaghetti western re-imagined with the help of a conical moving laser beam, a childrens choir and a bag full of kazoos while the rest of nothing is a reduced, pinocchio-like percussion-driven track with an insistent bassline

berlin based ed davenport & oliver deutschmann are both established producers in their own right. with a similar interest in urgent, atmospheric moments for the dancefloor, their first collaboration emerges. a proud and powerful statement of the pairs passion for techno, >trump< runs over ten minutes, focusing on a central, ethereal theme that resonates above a rigid wall of percussion. ibadan records boss and internationally respected electronic music figurehead jerome sydenham lays his hands to >trump< in his dynamic, accurate remix that draws us deep into his mechanic-organic sound. nyc based brendon moeller crafts a bass heavy, urgent >appliance< that honours the groove of the original and morphs it pleasingly into more spaced out zones

we are happy to announce the first release from ultrastretch featuring nottingham-born and now london- based artist matthew burton. a – who loves yous short, sharp hats and robotesque samples build slowly and aloofly to what becomes a somehow familiar and nostalgically tinted style. it is in fact, sampled from the 1987s >the running man< soundtrack, originally composed by harold faltermeyer and picked and plucked apart by matthew burton to make it into his own. the epic synth riff melted with its strong kick and tightly sprung sound corners are eerie and atmospheric. >who loves you< resonates with all of us with its clear 80s feel thats been manipulated into a new and exciting piece of underground music from matthew burton. b – small winner takes us on another journey all together. a deceivingly kicky intro steers us into a combination of swooning orchestral brass and delicate jazzy piano keys who share their space with a crunchy and inviting rhythmic stride. its cleverly concocted instrumental experimentation lends its listeners ear towards the smooth ambience while the hypnotic beat keeps us subconsciously moving. dramatic pauses, a syncopated yet soothing orchestral fusion build >small winner< into an original and intriguing musical piece.

lowjac demonstrates his versatile sound and production style, on a unique debut vinyl only release, featuring an exceptional remix crafted by metrolux label boss xdb. limited copies. >frontal rainfall< is a sublime dub techno piece , subtly infused with organic textures, while its driving flow unravels into an acoustic journey of dreamy realms and atmospheric moods. >hatfield junk< drifts without warning to a futuristic hip-hop direction, triggered by offset beats, cosmic synths and cinematic samples easing into an unpredictable breakdown workout. xdbs b-side interpretation, through different dynamics, rhythmic arrangement and depth perspective, is an astounding display of his ability to elevate the original track to a world of sheer bliss.

after the success of their inaugural workout last summer, jam factory return with their second ep of machine-made music that goes bump in the night. ocean calling is an authentic big-room house record underpinned by a catchy bassline combined with ever-evolving synth stabs and crisp analogue drums. on the flip hot & heavy kicks off with a rolling subterranean bassline and gradually develops into an addictive groove.

millions of brilliant idiots are starting their label with a stunning, twisted, and a little wonky 8 track mini lp by german artist joyride. take an intense and timeless ride into this tripful what-ever-stepping forest of nowadays kinky and diverse rooted musical mind. enjoy this deep and strange but beautiful artistically freefall which unfolds its blissful pandoras box with each listen. who knows what is real? its just how it feels!

the new burek release, yako/leko, finds kink trying to step away from common club-oriented production and present himself in a totally different light. yako is a dance mutant somewhere between speed garage, house, rave and dubstep that rips the dancefloor apart with its bassline and sends the crowd into a dancing delirium!

encapsulating carolas approach to techno in both sound and title, groove catcher is the naples producer at his best, with a rolling bassline punctuated by a percussion pattern that teases out the funk of the track in carolas trademark style: pacey and direct, but with enough bounce and fluidity to fully snare the occupants of the dancefloor within its grip and make them do its bidding. fellow album cut, the method, which appears on the vinyl format only, is similarly insistent whilst lighter in tone - if groove catcher is best employed at the peak of a club set, then the method is its daytime terrace equivalent. leading the ep will be the rework of groove catcher by martin buttrich, with the german producer lending the considerable talents that have led to releases on poker flat and cocoon recordings - as well as his recruitment behind the mixing desk for timo maas and loco dice - to a pair of remixes that transform the original into a different beast entirely. remix a mutates groove catcher into something monstrous and intimidating, bringing a different intensity to the track and injecting it with a heightened sense of danger.

the energetic >coconut coast< is an awesome example of whats coming from oriol, and he has bought some remixers along for the party too. faltydl brings the tempo down and gives the track a strange off key shuffling rub thats reminiscent of theo parrish at his oddest. mike paradinas in his jake slazenger guize, does a mix of >memories< thats almost funky house, mixed with big rubbery jazz chords and classy diva vocal samples. shortstuff takes >memories< and draws it into strange new shapes over stiff beats.

big with: massimiliano pagliara, cosmo vitelli, jonnie wilkes (optimo), nakion, 40 thieves, ajello, red rack em, the heels of love, matt (rvng), dj morpheus (tigersushi), fabrizio mammarella... from the beating latin heart of the modern disco world, discodromo join us for their first slow motion release and our third overall. with two original tracks and two stunning remixes this pair of cheeky italians first bring us the laid back charms of stars and rain featuring the vocal talents miss plug in. strutting funk and cascading synths are the order of the day on this taut laser workout. with a bitterest melody and relentless drums, this is a cinematic excursion into 10am disco music. miss plug ins blank eyed vocals are one part rimini, to two parts berlin giving the track a hazy, druggy feel that will work like magic on the even the most demanding dance floors.

bigbait006 - bigbait006 explores the undefined space between elektro, house und dub-step. on this four-track-vinyl-ep s-max, peter clamat, 2=&#824,,, geweih and citizen funk mingle together to make a statement on electronic dance music. bigbait006 is actually a vinylized idea – the title occurred to the two citizen funks during a studio session in france in 2009. around the head note >dj killed 90 people< the four tracks cristallized into a record in the subsequent 12 months. each records cover is hand-printed individually and therefore unique

mysterious shadows, sensual formations and intransparent depths rewrite the fourth baud release of ryo murakami from tokyo. the a-side is launched by the title track >underworld<, which is evident in an appealing soundscape by classical and contemporary dub elements. also on the front side is the playful >night dew<. swirled iridescent synths attend to the atmospheric and unexplored morning dew. >closer< opens the b-side with a gentle, bubbling acidline that rounds off the background with jacking swinging moments. like an enchanted, dark veil >fog< appears on the back side, by building up strings into unsearchable depths

die große m.m.a.d party geht weiter! beatamines versorgt euch mit einem 3 - tracker der jeden club zum beben bringen wird.. lets --dance-- into --night--!
vinyl und cd im premiumpack.

recorded in los angeles from the end of 2009 and into 2010, >everything in between< is the new album from no age, the duo of dean spunt and randy randall. they emerged from former band wives in 2005, to become no age, worldwide glowing talismans for the diy art-punk scene in la, now famously known as having its epicenter at the smell, a clubhouse where art-life/music-life welded and inspired a creative movement and attitude which has fertilized a purple patch of likeminded punkers and artists around the globe.
deluxe lp package with 48-page 12 inch booklet and download coupon for mp3s of the entire album.

the >inside out< ep is a solid package featuring quality tunes from start to finish. midnight runner is a heavy plunge into deepest underwater techno, which drives fearlessly forward through a storm of ride cymbals. on the inside hovers and builds on a single chord, until breaking deliciously into a slinky deep house groove with a plonky bassline leading the way. on the b-side, the revenge pass by to deliver the >memory warehouse< remix of >on the inside< - a simple and decisive slice of deep dark rave, with all the hot production values we love to hear from the revenge. moonrunners, finally, is an organic and musical collection of neatly packed rhodes keys, piano splashes, trumpets and intense bass notes, and wraps up the package in style. another great ep for dso - and a solid return for winding road records

we dont need to tell you that rolando is a figure synonymous with the roots of techno. regularly djing in berghain, his unique brand of techno and heavy electronic funk has continued to evolve naturally into the sound youll here today. on rolandos first 12inch for ostgut, we find two diverse tracks each shedding light on the different poles of his current sonic focus. ben klock featured both >de cago< and >junie< on his >berghain 04< mix, and now we can enjoy the full tracks in their own right. the proud heritage of >de cago< is clear from the outset, yet rolando works crisp modern drums and edgy acidic synths into the mix, resulting in a potent concoction of jacking, edgy technofunk. unapologetically raw and gritty - and all the better for it - is >junie<. introducing a different production methodology, this multi-layered half-tempo exploration into eerie harmonics and slow building passages is the latest incarnation of rolandos emotional and instinctive melody writing